MAD LOVE: AMC spent a fabled lot in promotion leading up to the premiere of the
Wednesday, 27 August 2008
Mad marketing reaps bad payoff
Thursday, 7 August 2008
De Facto
Artist: De Facto
Genre(s):
Other
Discography:
Evangeliom
Year: 2004
Tracks: 8
Channel change doesn't cloud outlook of KIRO-TV's Rebecca Stevenson
Monday, 30 June 2008
UNKLE has a couple of songs for Mulder, Scully
'X-Files' movie includes original track picked by Carter
NEW YORK -- When "X-Files" heroes Fox Mulder and Dana Scully wrap up their second big-screen search for the truth this summer, audiences will exit to two tracks by U.K.-based electronic/rock artist UNKLE: an original handpicked by series creator Chris Carter and a reinterpretation of the classic "X-Files" TV series theme song, commissioned after the fact.
"There was something I was looking for at the end credit of the movie, and it needed to be a really specific beat," Carter said. "I had gone to see the Police over the summer. They opened the show with 'Reggatta De Blanc,' which is one of my favorite Police songs. I love that song, and it was in my head as I was writing the movie. Then (20th Century Fox music supervisor) Danielle Diego gave me this UNKLE piece, and I realized that was really what I was looking for. Immediately I called her and I said, 'I think I've got my end-credit piece.' "
The song, "Broken," from UNKLE's 2007 album "War Stories" (Surrender All), has the spry new wave guitar and insistent pulse of "Reggatta," plus wayward lyrics sung by vocalist Gavin Clark, which seem to fit the profile of Carter's eternally tense fictitious duo ("We're miles adrift/We're inches apart").
"It's funny, because the lyrics ended up working unexpectedly," Carter said.
"It's really the beat that's the perfect fit for the end of the film."
Carter phoned UNKLE mastermind James Lavelle personally to explain his intentions for "Broken," and the two discovered a mutual admiration: Lavelle was a fan of the long-running TV series. A big one. "I've seen every episode," he said.
After that conversation, "it was decided by all of us that James would be the person to ask to -- 'remix' is the wrong word, I'll call it 'reinterpret' -- the 'X-Files' theme for the end of the film as well," Carter says. The two tracks will also be featured on the "X-Files: I Want to Believe" soundtrack as the only additions to the Mark Snow-composed score. The album is due July 22 via Decca.
Lavelle took the distinction between "remix" and "reinterpret" to heart. "Most of the time when you hear remixes of themes, they're never as good as the original and they sound cheesy, like the James Bond theme," he says. "With this piece it was difficult to take the original parts and move them around; it didn't sound right. And we wanted something that would work in context with 'Broken' as well. That was the directive: to have the same kind of emotion. So we went that route sonically, with a snare and a rockier bass line."
Carter -- a self-proclaimed "student drummer" who took DJ'ing lessons during his "X-Files" downtime -- says there are more collaborations in the future for he and Lavelle, who is also an internationally renowned DJ. "His sense of tempo and beat and the blending of it will be a beautiful match for some ideas that I have," Carter said. "We've already talked about it."
NEW YORK -- When "X-Files" heroes Fox Mulder and Dana Scully wrap up their second big-screen search for the truth this summer, audiences will exit to two tracks by U.K.-based electronic/rock artist UNKLE: an original handpicked by series creator Chris Carter and a reinterpretation of the classic "X-Files" TV series theme song, commissioned after the fact.
"There was something I was looking for at the end credit of the movie, and it needed to be a really specific beat," Carter said. "I had gone to see the Police over the summer. They opened the show with 'Reggatta De Blanc,' which is one of my favorite Police songs. I love that song, and it was in my head as I was writing the movie. Then (20th Century Fox music supervisor) Danielle Diego gave me this UNKLE piece, and I realized that was really what I was looking for. Immediately I called her and I said, 'I think I've got my end-credit piece.' "
The song, "Broken," from UNKLE's 2007 album "War Stories" (Surrender All), has the spry new wave guitar and insistent pulse of "Reggatta," plus wayward lyrics sung by vocalist Gavin Clark, which seem to fit the profile of Carter's eternally tense fictitious duo ("We're miles adrift/We're inches apart").
"It's funny, because the lyrics ended up working unexpectedly," Carter said.
"It's really the beat that's the perfect fit for the end of the film."
Carter phoned UNKLE mastermind James Lavelle personally to explain his intentions for "Broken," and the two discovered a mutual admiration: Lavelle was a fan of the long-running TV series. A big one. "I've seen every episode," he said.
After that conversation, "it was decided by all of us that James would be the person to ask to -- 'remix' is the wrong word, I'll call it 'reinterpret' -- the 'X-Files' theme for the end of the film as well," Carter says. The two tracks will also be featured on the "X-Files: I Want to Believe" soundtrack as the only additions to the Mark Snow-composed score. The album is due July 22 via Decca.
Lavelle took the distinction between "remix" and "reinterpret" to heart. "Most of the time when you hear remixes of themes, they're never as good as the original and they sound cheesy, like the James Bond theme," he says. "With this piece it was difficult to take the original parts and move them around; it didn't sound right. And we wanted something that would work in context with 'Broken' as well. That was the directive: to have the same kind of emotion. So we went that route sonically, with a snare and a rockier bass line."
Carter -- a self-proclaimed "student drummer" who took DJ'ing lessons during his "X-Files" downtime -- says there are more collaborations in the future for he and Lavelle, who is also an internationally renowned DJ. "His sense of tempo and beat and the blending of it will be a beautiful match for some ideas that I have," Carter said. "We've already talked about it."
Wednesday, 25 June 2008
The White Buffalo
Artist: The White Buffalo
Genre(s):
Rock
Discography:
The White Buffalo Ep
Year: 2006
Tracks: 12
Dreamworks' Deal -- A Geffen Ploy?
Monday, 16 June 2008
Artist Alton Kelley, who pioneered psychedelic rock posters, dies at 67
PETALUMA, Calif. - Alton Kelley, an artist who helped created the psychedelic style of posters and other art associated with the 1960s San Francisco rock scene, has died. He was 67.
Kelley died Sunday of complications from osteoporosis in his Petaluma home, according to his publicist, Jennifer Gross.
Kelley and his lifelong collaborator, Stanley (Mouse) Miller, churned out iconic work from their studio, a converted firehouse where Janis Joplin first rehearsed with Big Brother and the Holding Company.
The pair created dozens of classic rock posters, including the famous Grateful Dead "skull and roses" poster designed for a show at the Avalon Ballroom, as well as posters and album covers for Journey, Steve Miller, Jimi Hendrix and The Beatles.
Kelley and Miller's work influenced other well-known names in the genre such as Rick Griffin, who moved to San Francisco in 1966 after seeing their psychedelic posters and soon started producing his own.
For inspiration, the pair scrutinized old etchings and photos, took in the youth culture of the time and dug through public libraries, often breaking out into laughter until they were asked to leave by the librarian, Miller recalled.
"We were just having fun making posters," Miller told the San Francisco Chronicle. "There was no time to think about what we were doing. It was a furious time, but I think most great art is created in a furious moment."
Born on June 17, 1940, Kelley met Miller in 1965, at the epicentre of the hippie movement - San Francisco's Haight-Ashbury district - and soon recognized their ability to work together, in their words "riffing off each other's giggle."
In recent years, Kelley's artwork focused on paintings of hot rods and custom cars, which were sold as fine art and printed on T-shirts.
He is survived by his wife Marguerite Trousdale Kelley; their children Patty, Yosarian and China; his mother, his sister and two grandchildren.
See Also
Thursday, 5 June 2008
Kidman to play exposed CIA Agent
Nicole Kidman is to work with 'The Bourne Identity' director Doug Liman on a new drama about the CIA agent, Valerie Plame, whose identity was leaked after her diplomat husband questioned evidence used to justify the war in Iraq.
Speaking to MTV about the film, Liman said: "I have a really, really insane take on how to tell it. It's so outrageous."
He continued: "Ultimately, I'd be doing something no one has ever done before. Therefore it's automatically appealing to me. I'm just starting to explore whether [what I'm planning ] is even possible to do."
Kidman's new film, 'Margot at the Wedding', opens in Irish cinemas on Friday 28 February.
Speaking to MTV about the film, Liman said: "I have a really, really insane take on how to tell it. It's so outrageous."
He continued: "Ultimately, I'd be doing something no one has ever done before. Therefore it's automatically appealing to me. I'm just starting to explore whether [what I'm planning ] is even possible to do."
Kidman's new film, 'Margot at the Wedding', opens in Irish cinemas on Friday 28 February.
Monday, 26 May 2008
RF
Artist: RF
Genre(s):
Retro
Discography:
Falls
Year: 2004
Tracks: 14
Blunt is critical of Spears' media treatment
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